German folklore held that elves had a particular fondness for children and would appear to those about to die, rather like the Irish banshee. This aspect of the legend was immortalised by Goethe in his poem Der Erlknig, later set to music by Schubert.
English folktales of the early modern period typically portray elves as small, elusive people with mischievous personalities (see illustration). They are not evil but might annoy humans or interfere in their affairs. They are sometimes said to be invisible. In this tradition, elves became more or less synonymous with the fairies that originated from native British mythology, for example, the Welsh Ellyll (plural Ellyllon) and Y Dynon Bach Tg.The elves of Norse mythology have survived into folklore mainly as females. The lvor (Swedish, singular lva) were stunningly beautiful girls who lived in the forest with an elven king. They were long-lived and light-hearted in nature. They could be seen at night dancing over meadows. The circles they left were called lvdanser (elf dances) or lvringar (elf circles). If a human watched their dance, he would discover that even though only a few hours seemed to have passed, many years had passed in the real world. (This time phenomenon is retold in Tolkien's Lord of the Rings when the Fellowship of the Ring discovers that time seems to have run more slowly in elven Lothlrien. It also has a remote parallell in the Irish sdhe).Tolkien's The Lord of the Rings (1954-1958), became astoundingly popular and was much imitated. In the 1960s and afterwards, elves similar to those in Tolkien's novels became staple non-human characters in high fantasy works and in fantasy role-playing games (RPGs).In Denmark the elves seem to have merged with the Huldra and are beautiful females who can dance a man to death. If you see them from the back, they are hollow.Christopher Paolini's Eragon also features elves of a Nordic persuasion.