German folklore held that elves had a particular fondness for children and would appear to those about to die, rather like the Irish banshee. This aspect of the legend was immortalised by Goethe in his poem Der Erlknig, later set to music by Schubert.
The influence of Shakespeare and Michael Drayton made the use of elf and fairy for very small beings the norm. In Victorian literature, elves usually appeared in illustrations as tiny men and women with pointed ears and stocking caps. There were exceptions, such as the full-sized elves who appear in Lord Dunsany's The King of Elfland's Daughter.
Before they became diminutive and whimsical, elves were probably akin to powerful pre-Christian forest spirits like the woodwose, the Green Man, and the drusi in the mythology of the Gauls beings to be respected and even feared. A trace of the former importance of elves in Germanic culture exists in names like Alfred (Old English lfrd, "elf-counsel") and Alvin (Old English lfwine, "elf-friend").Wendy and Richard Pini's long-running comic book Elfquest attempts to avoid the usual Tolkienesque elven clichs by placing their elves in a setting inspired by Native American rather than European mythology. It later turns out that they are actually the descendants of a shape-shifting alien race rather than mythological beings.Little documentation exists on English rustic beliefs and terminology before the nineteenth century, but it seems that the term elf was used, at least on some occasions or in some places, for various kinds of uncanny wights, either human-sized or smaller. But other terms were also used.
