English folktales of the early modern period typically portray elves as small, elusive people with mischievous personalities (see illustration). They are not evil but might annoy humans or interfere in their affairs. They are sometimes said to be invisible. In this tradition, elves became more or less synonymous with the fairies that originated from native British mythology, for example, the Welsh Ellyll (plural Ellyllon) and Y Dynon Bach Tg.
In 1954, Poul Anderson introduced grim Norse-style elves in his fantasy novel The Broken Sword and made them full-sized.
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Tolkien's The Lord of the Rings (1954-1958), became astoundingly popular and was much imitated. In the 1960s and afterwards, elves similar to those in Tolkien's novels became staple non-human characters in high fantasy works and in fantasy role-playing games (RPGs).
Little documentation exists on English rustic beliefs and terminology before the nineteenth century, but it seems that the term elf was used, at least on some occasions or in some places, for various kinds of uncanny wights, either human-sized or smaller. But other terms were also used.In Scandinavian folklore, which is a later blend of Norse mythology and elements of Christian mythology, there are several groups of human-like nature spirits than are akin to "elves" in a modern sense. These are called tomtar, vittror, and lvor, and are grouped under the general name of vttar (compare wights).Post-Tolkien literary elves (popularized by the Dungeons & Dragons role-playing game) tend to be human-sized or only slightly smaller than humans, and tend also to be capable warriors, especially skilled in archery. Terms like hob or brownie or other genuine regional folklore terms are seldom used of such creatures: they are unlikely to sneak in at night and help a cobbler mend his shoes. The canonical role-playing style elf is Deedlit, a major character of the anime series Record of Lodoss War.
