The twentieth-century philologist and fantasy writer J. R. R. Tolkien had little use for Shakepearean fairy portrayals or for Victorian diminutive fairy prettiness and whimsy, aligning his elves with the god-like and human-sized elves of Norse mythology, the Ljoslfar. He conceived a race of beings similar to humans but fairer, with greater spiritual powers, keener senses, and a closer empathy with nature. They are great smiths and fierce warriors on the side of good. Tolkien's Elves of Middle-earth are not deathless and can be killed by injury, and while they are sufficiently long-lived to be called immortal by humans, they do age.
The elves of Norse mythology have survived into folklore mainly as females. The lvor (Swedish, singular lva) were stunningly beautiful girls who lived in the forest with an elven king. They were long-lived and light-hearted in nature. They could be seen at night dancing over meadows. The circles they left were called lvdanser (elf dances) or lvringar (elf circles). If a human watched their dance, he would discover that even though only a few hours seemed to have passed, many years had passed in the real world. (This time phenomenon is retold in Tolkien's Lord of the Rings when the Fellowship of the Ring discovers that time seems to have run more slowly in elven Lothlrien. It also has a remote parallell in the Irish sdhe).In 1954, Poul Anderson introduced grim Norse-style elves in his fantasy novel The Broken Sword and made them full-sized.
The term lfsciene ("elf-shining") is used in the Old English poem Judith referring to elven beauty. On the other hand oaf is simply a variant of the word elf, presumably originally referring to a changeling or to someone stupefied by elvish enchantment.
What remained of the belief in elves in German folklore was that they were mischievous pranksters that could cause disease to cattle and people, and bring bad dreams to sleepers. The German word for nightmare, Albtraum, means "elf dream". The archaic form Albdruck means "elf pressure"; it was believed that nightmares are a result of an elf sitting on the dreamer's chest.The influence of Shakespeare and Michael Drayton made the use of elf and fairy for very small beings the norm. In Victorian literature, elves usually appeared in illustrations as tiny men and women with pointed ears and stocking caps. There were exceptions, such as the full-sized elves who appear in Lord Dunsany's The King of Elfland's Daughter.Post-Tolkien literary elves (popularized by the Dungeons & Dragons role-playing game) tend to be human-sized or only slightly smaller than humans, and tend also to be capable warriors, especially skilled in archery. Terms like hob or brownie or other genuine regional folklore terms are seldom used of such creatures: they are unlikely to sneak in at night and help a cobbler mend his shoes. The canonical role-playing style elf is Deedlit, a major character of the anime series Record of Lodoss War.Elf, fairy, and other terms for nature spirits like pwcca, hobgoblin, Robin Goodfellow, the Scots brownie, and so forth are no longer clearly distinguished in popular English folklore, nor are similar terms in other European languages.Buy elven jewelry online in the largest elvish storeTolkien is responsible for reviving the older and less-used terms elves, elven, and elvish rather than Edmund Spenser's invented elfs, elfin, and elfish. He probably preferred the word elf over fairy because elf is of Anglo-Saxon origin while fairy entered English from French.Before they became diminutive and whimsical, elves were probably akin to powerful pre-Christian forest spirits like the woodwose, the Green Man, and the drusi in the mythology of the Gauls beings to be respected and even feared. A trace of the former importance of elves in Germanic culture exists in names like Alfred (Old English lfrd, "elf-counsel") and Alvin (Old English lfwine, "elf-friend").
