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Christopher Paolini's Eragon also features elves of a Nordic persuasion.The term lfsciene ("elf-shining") is used in the Old English poem Judith referring to elven beauty. On the other hand oaf is simply a variant of the word elf, presumably originally referring to a changeling or to someone stupefied by elvish enchantment.In 1954, Poul Anderson introduced grim Norse-style elves in his fantasy novel The Broken Sword and made them full-sized.The Harry Potter book series by J. K. Rowling features house-elves that resemble brownies or goblins more than modern high-fantasy elves. Rather like the elves in The Shoemaker & the Elves, Rowling's house-elves are released from servitude when they are given clothes.
Towards the end of the 20th century, a number of people have begun to describe themselves as elves, usually more of the Tolkien than the folkloric Santa type. Many of these people can be found in the Otherkin subculture.Modern fantasy literature has revived the elves as a race distinct from fairies. Fantasy elves are different from Norse elves, but are more akin to that older mythology and to the Irish sdhe than to folktale elves.However, in Elizabethan England, Shakespeare imagined elves as little people. He apparently considered elves and fairies to be the same race. In Henry IV, Part 1, i. 4, he has Falstaff call Prince Henry, "you starveling, you elfskin!", and in his Midsummer Night's Dream, his elves are almost as small as insects. On the other hand, Edmund Spenser applies elf to full-sized beings in The Faerie Queene.