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Scandinavian mythology includes light-elves (Lioslfar) who dwell in the third space in heaven, dark-elves (Dcklfar), and black-elves (Svartalfar). The black-elves were skilled smiths, and the most skilled were reputed to be the sons of Ivaldi, the father of Idun.
The influence of Shakespeare and Michael Drayton made the use of elf and fairy for very small beings the norm. In Victorian literature, elves usually appeared in illustrations as tiny men and women with pointed ears and stocking caps. There were exceptions, such as the full-sized elves who appear in Lord Dunsany's The King of Elfland's Daughter.
The twentieth-century philologist and fantasy writer J. R. R. Tolkien had little use for Shakepearean fairy portrayals or for Victorian diminutive fairy prettiness and whimsy, aligning his elves with the god-like and human-sized elves of Norse mythology, the Ljoslfar. He conceived a race of beings similar to humans but fairer, with greater spiritual powers, keener senses, and a closer empathy with nature. They are great smiths and fierce warriors on the side of good. Tolkien's Elves of Middle-earth are not deathless and can be killed by injury, and while they are sufficiently long-lived to be called immortal by humans, they do age.The Harry Potter book series by J. K. Rowling features house-elves that resemble brownies or goblins more than modern high-fantasy elves. Rather like the elves in The Shoemaker & the Elves, Rowling's house-elves are released from servitude when they are given clothes.English folktales of the early modern period typically portray elves as small, elusive people with mischievous personalities (see illustration). They are not evil but might annoy humans or interfere in their affairs. They are sometimes said to be invisible. In this tradition, elves became more or less synonymous with the fairies that originated from native British mythology, for example, the Welsh Ellyll (plural Ellyllon) and Y Dynon Bach Tg.
