In Scandinavian folklore, which is a later blend of Norse mythology and elements of Christian mythology, there are several groups of human-like nature spirits than are akin to "elves" in a modern sense. These are called tomtar, vittror, and lvor, and are grouped under the general name of vttar (compare wights).
In 1954, Poul Anderson introduced grim Norse-style elves in his fantasy novel The Broken Sword and made them full-sized.
Elf, fairy, and other terms for nature spirits like pwcca, hobgoblin, Robin Goodfellow, the Scots brownie, and so forth are no longer clearly distinguished in popular English folklore, nor are similar terms in other European languages.Purchase celtic jewelry online in the largest celtic storeHowever, in Elizabethan England, Shakespeare imagined elves as little people. He apparently considered elves and fairies to be the same race. In Henry IV, Part 1, i. 4, he has Falstaff call Prince Henry, "you starveling, you elfskin!", and in his Midsummer Night's Dream, his elves are almost as small as insects. On the other hand, Edmund Spenser applies elf to full-sized beings in The Faerie Queene.
