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The influence of Shakespeare and Michael Drayton made the use of elf and fairy for very small beings the norm. In Victorian literature, elves usually appeared in illustrations as tiny men and women with pointed ears and stocking caps. There were exceptions, such as the full-sized elves who appear in Lord Dunsany's The King of Elfland's Daughter.
However, in Elizabethan England, Shakespeare imagined elves as little people. He apparently considered elves and fairies to be the same race. In Henry IV, Part 1, i. 4, he has Falstaff call Prince Henry, "you starveling, you elfskin!", and in his Midsummer Night's Dream, his elves are almost as small as insects. On the other hand, Edmund Spenser applies elf to full-sized beings in The Faerie Queene.The term lfsciene ("elf-shining") is used in the Old English poem Judith referring to elven beauty. On the other hand oaf is simply a variant of the word elf, presumably originally referring to a changeling or to someone stupefied by elvish enchantment.German folklore held that elves had a particular fondness for children and would appear to those about to die, rather like the Irish banshee. This aspect of the legend was immortalised by Goethe in his poem Der Erlknig, later set to music by Schubert.
