The elves (light-elves) are often mentioned along with the Aesir, instead of the Vanir (a race of gods). The names Vanir and Alfar (light elves) may have been either synonymous, since the expression "Aesir and Alfar" meant "all the gods", or designating a difference in status between the major fertility gods, the Vanir, and the minor ones, the elves. The Van Freyr was the lord of lfheim (meaning "elvenhome"), the home of the light-elves, and he had as servants two elves: Byggvir and Beyla. Like the Vanir the elves were associated with fertility and, in late fall, the "alfablt" (elven sacrifice) was performed in the homes. It was secret, no strangers were allowed in the homes, and so next to nothing is known of it.
In 1954, Poul Anderson introduced grim Norse-style elves in his fantasy novel The Broken Sword and made them full-sized.
Christopher Paolini's Eragon also features elves of a Nordic persuasion.
The Svartalfar live in Svartalfheim. In some sources they are identified with the dwarfs of Nidavellir, who likewise had a reputation as skilled smiths. In general, however, elves and dwarfs are distinguished in surviving Norse literature.The influence of Shakespeare and Michael Drayton made the use of elf and fairy for very small beings the norm. In Victorian literature, elves usually appeared in illustrations as tiny men and women with pointed ears and stocking caps. There were exceptions, such as the full-sized elves who appear in Lord Dunsany's The King of Elfland's Daughter.However, in Elizabethan England, Shakespeare imagined elves as little people. He apparently considered elves and fairies to be the same race. In Henry IV, Part 1, i. 4, he has Falstaff call Prince Henry, "you starveling, you elfskin!", and in his Midsummer Night's Dream, his elves are almost as small as insects. On the other hand, Edmund Spenser applies elf to full-sized beings in The Faerie Queene.
