Elves were imported into Britain with the Anglo-Saxons.Tolkien's The Lord of the Rings (1954-1958), became astoundingly popular and was much imitated. In the 1960s and afterwards, elves similar to those in Tolkien's novels became staple non-human characters in high fantasy works and in fantasy role-playing games (RPGs).The elves (light-elves) are often mentioned along with the Aesir, instead of the Vanir (a race of gods). The names Vanir and Alfar (light elves) may have been either synonymous, since the expression "Aesir and Alfar" meant "all the gods", or designating a difference in status between the major fertility gods, the Vanir, and the minor ones, the elves. The Van Freyr was the lord of lfheim (meaning "elvenhome"), the home of the light-elves, and he had as servants two elves: Byggvir and Beyla. Like the Vanir the elves were associated with fertility and, in late fall, the "alfablt" (elven sacrifice) was performed in the homes. It was secret, no strangers were allowed in the homes, and so next to nothing is known of it.
The influence of Shakespeare and Michael Drayton made the use of elf and fairy for very small beings the norm. In Victorian literature, elves usually appeared in illustrations as tiny men and women with pointed ears and stocking caps. There were exceptions, such as the full-sized elves who appear in Lord Dunsany's The King of Elfland's Daughter.
The elves of Norse mythology have survived into folklore mainly as females. The lvor (Swedish, singular lva) were stunningly beautiful girls who lived in the forest with an elven king. They were long-lived and light-hearted in nature. They could be seen at night dancing over meadows. The circles they left were called lvdanser (elf dances) or lvringar (elf circles). If a human watched their dance, he would discover that even though only a few hours seemed to have passed, many years had passed in the real world. (This time phenomenon is retold in Tolkien's Lord of the Rings when the Fellowship of the Ring discovers that time seems to have run more slowly in elven Lothlrien. It also has a remote parallell in the Irish sdhe).
The term lfsciene ("elf-shining") is used in the Old English poem Judith referring to elven beauty. On the other hand oaf is simply a variant of the word elf, presumably originally referring to a changeling or to someone stupefied by elvish enchantment.
