In Scandinavian folklore, which is a later blend of Norse mythology and elements of Christian mythology, there are several groups of human-like nature spirits than are akin to "elves" in a modern sense. These are called tomtar, vittror, and lvor, and are grouped under the general name of vttar (compare wights).However, in Elizabethan England, Shakespeare imagined elves as little people. He apparently considered elves and fairies to be the same race. In Henry IV, Part 1, i. 4, he has Falstaff call Prince Henry, "you starveling, you elfskin!", and in his Midsummer Night's Dream, his elves are almost as small as insects. On the other hand, Edmund Spenser applies elf to full-sized beings in The Faerie Queene.
Towards the end of the 20th century, a number of people have begun to describe themselves as elves, usually more of the Tolkien than the folkloric Santa type. Many of these people can be found in the Otherkin subculture.
The twentieth-century philologist and fantasy writer J. R. R. Tolkien had little use for Shakepearean fairy portrayals or for Victorian diminutive fairy prettiness and whimsy, aligning his elves with the god-like and human-sized elves of Norse mythology, the Ljoslfar. He conceived a race of beings similar to humans but fairer, with greater spiritual powers, keener senses, and a closer empathy with nature. They are great smiths and fierce warriors on the side of good. Tolkien's Elves of Middle-earth are not deathless and can be killed by injury, and while they are sufficiently long-lived to be called immortal by humans, they do age.
In 1954, Poul Anderson introduced grim Norse-style elves in his fantasy novel The Broken Sword and made them full-sized.
